Wednesday, May 19, 2010

THIS WEEKEND IN BOSTON: A BLAMIRE BLOCKBUSTER DOUBLE-FEATURE!


From writer/director Larry Blamire:

The first dates have been announced for the theatrical run of our double feature (that’s two movies that show together, back to back, just like the olden days) of THE LOST SKELETON RETURNS AGAIN and DARK AND STORMY NIGHT.

The films will open in Boston at the wonderful Coolidge Corner Theatre on May 21st. Ticket info will be available at the usual online sources, including the Coolidge website: http://www.coolidge.org/



More cities listed as they become available.
Larry Blamire's new comedy murder mystery DARK AND STORMY NIGHT stars Daniel Roebuck, Jennifer Blaire, Fay Masterson, Brian Howe, Andrew Parks, Dan Conroy, Kevin Quinn, Christine Romeo, H.M. Wynant, Jim Beaver, James Karen,Bruce French, Robert Deveau, Trish Geiger, Alison Martin, Susan McConnell, Tom Reese, Betty Garrett, Marvin Kaplan, Larry Blamire, Bob Burns and Mark Redfield!

Friday, May 7, 2010


I've contributed seven essays in this wonderful tribute issue dedicated to Forrest J Ackerman for the new Famous Monsters of Filmland Magazine from publisher Philip Kim and Editors Michael Heisler and Jessie Lilley. Check it out and pre-order this issue, and check out how to subscribe to the all-new FM starting with issue #251! ---Mark Redfield

More info on FM#250 can be found HERE.

Subscribe to the all-new and improved Famous Monsters of Filmland Magazine HERE!

For information about the big Famous Monsters Convention in Indianapolis in July, 2010, please visit http://famousmonstersconvention.com/ and check out the fabulous array of guests and events planned!

Saturday, May 1, 2010

NEW 'DEATH OF POE' FILM REVIEW IN SCARY MONSTERS MAGAZINE--ON NEWS STANDS NOW!


There’s a fine review of my film The Death of Poe in the current issue of Scary Monsters Magazine, written by David Alex Nahmod.

The issue is packed with great articles by Martin Powell, Bob Statzer, Ron Adams and many more of publisher Dennis Druktenis’ great stable of contributors. Get it on newsstands, Barnes and Noble or Border’s Books today!

Thursday, April 22, 2010

CARTOONARAMA: "JOHN BARRYMORE AS SVENGALI"

"John Barrymore as Svengali" by Mark Redfield (2010)
Acrylic on canvas board. (11x14)


Image and text © 2010 by Mark Redfield.

Tuesday, April 20, 2010

An old review of my play DR. JEKYLL AND MR. HYDE

This is an old review from 1991 of the play that my film DR. JEKYLL AND MR. HYDE was adapted from. Bottom line about the stage -to-screen adaptation: the script was changed drastically. Here's a review by Winifred Walsh that surfaced recently on-line, originally published in the Baltimore Sun in 1991.

New Century's 'Dr. Jekyll' is nearly flawless

October 10, 1991|By Winifred Walsh | Winifred Walsh,Evening Sun Staff

A splendid version of the ultimate psychological thriller "Dr. Jekyll and Mr. Hyde" is on stage at the Spotlighters Theatre through Oct. 27.

This excellent new adaptation by the show's producer, director and star, Mark Redfield, in collaboration with actor Stuart Voytilla, is faithful to the original Robert Louis Stevenson novel. The very sophisticated, intellectual work presents, as Stevenson intended, the fascinating tale of the good and evil warring within us in the form of a good, old-fashioned mystery.

Redfield's production under the banner of New Century Theater is the best of its kind this reviewer has ever seen. All the parts are perfectly cast down to the most insignificant character.

Although originally written for the proscenium stage, the work plays well in the limited confines of the arena theater.

The classical language is vintage Stevenson. The mood is eerie, spooky and chilling. Scenes have intriguing symbolic and abstract undertones. The sparse, black-and-white surrealistic imagery designed by Redfield and carried out by scenic artist Kelly Phillips is extremely effective.

Redfield's direction is masterful -- practically flawless. Every actor has a proper attitude for his or her role and all interact beautifully -- always making important eye contact.

Timing and character development are superb and the suspense is hair-raising.

The marvelous fight sequences were arranged by Lewis Shaw.

Set in 1890 London, the play opens with the accounting of the dastardly deeds of a man called Hyde, a beastly, brutal creature without remorse or pity.

The evil Hyde, somehow, has access to the house of the kindly Dr. Henry Jekyll. Franklin Utterson, Jekyll's longtime loyal lawyer, is worried that his friend is under some dark threat by this man who has committed a number of foul crimes. He enlists the aid of others to unravel the puzzle.

Dr. Jekyll is a man of inherited wealth. Imbued with a deep feeling of compassion for the less fortunate, he divides his time between the poor hospital wards and his private practice.

Impressed with Darwin's evolution theories, he engages in research to determine the biological base for the good and evil in man. He wants to set loose and separate the shadowy elements of the primitive human psyche. He eventually finds these qualities in the form of the pernicious Hyde.

Redfield plays both roles. As the upright, uptight, gentle Jekyll and the horrifying Hyde crouching ape-like and wild-eyed around the stage, he is magnificent. A consummate professional artist, Redfield's attention to the finer details of his character is matchless.

Not a bad review; I have a feeling that somehow my writing partner, Stuart Voytilla, and I, always imagined the story somewhat cinematically. Working on the play, and the first year working with my theater company New Century Theater, were certainly some creatively (and personally) grand times. One of the most thrilling and satisfying in my little career. More on the play in future articles coming up.

CARTOONARAMA: 'BUSTER AND A FROG'


"BUSTER AND FROG" (2010) by Mark Redfield. Acrylic on canvas board. (11x14).

This cartoon of silent screen comedian Buster Keaton was a gift to Dark and Stormy Night producer Michael Schlesinger, who is also a great fan of 'the great stone face'.

Image and text © 2010 by Mark Redfield.

Monday, April 19, 2010

THE CHANEY MURDER CASE by Mark Redfield, debuting in the Fall of 2010


I've started a page over at facebook where I'll be posting developments about my novel THE CHANEY MURDER CASE until it's publication in the Fall of 2010, and also post whateverthis-n-that about actor Lon Chaney strikes my fancy!

Of course I'll be posting major news about the novel here at AN ACTOR'S NOTEBOOK, and have some nice pieces about Lon Chaney, but check out the facebook page in the event that other friends post things about The Man of a Thousand Faces.

The facebook page is HERE.


Thanks in advance for joining the group and for all your support!

Saturday, April 10, 2010

CARTOONARAMA: "VINCENT PRICE AND A SHRUNKEN HEAD"


"VINCENT PRICE AND A SHRUNKEN HEAD" by Mark Redfield
Acrylic on canvas board, 11x14.

Recently I've been getting some commissions; upcoming cartoons I'm working on by request include Bela Lugosi, Bette Davis, and a special Vincent Price, as Prince Prospero from Roger Corman's film Masque of the Red Death.

Original art and text copyright Mark Redfield. All Rights Reserved.

Thursday, April 8, 2010

MONSTERPALOOZA 2010


Monsterpalooza, the horror convention held in Burbank, California (and now in it's sophomore year) is Friday April 9th to Sunday April 11th.

A smashing success and much praised event in a very crowded field, what sets Monsterpaloozo apart from the other conventions is a high concentration of guests that are special FX make up artists and technicians. This year, FX guests include: Verne Langdon, Michael Westmore, Tom Burman, The Chiodo Brothers, Greg Nicotero, Willaim Stout and many others.

Actors that make up the special guest roster include: Don Calfa, Clu Gulager, Jonathan Winters (!) and many, many more.

My own special connection launches the weekend with laughs: Larry Blamire's DARK AND STORMY NIGHT screens at 6:15PM on Friday night. I'll be there along with other cast members Daniel Roebuck, Jennifer Blaire, James Karen and writer-director Larry Blamire.

The comedy continues right after the movie with a live radio-style reading of Ted Newsom's comedy TOO MANY CREEPS. The strange and twisted story of Alex Gordon and Ed Wood trying to get Boris Karloff into one of their new films, and end up corralling most of Hollywood's Golden Age horror stars into a script reading!

I'm narrating and playing Karloff. Others in Newsom's fantastic cast include David Skal as Bela Lugosi, Newsom himself as John Carradine, with Frank Dietz, Brinke Stevens, Perry Sheilds and others rounding out the cast.

Check it out here: http://www.rubberroom101.com/monsterpalooza2010/

Come on by if you're in the LA area. I'll be there all weekend so be sure to say hello!

Tuesday, April 6, 2010

MEET THE NEW EDITOR OF THE NEW 'FAMOUS MONSTERS OF FILMLAND' MAGAZINE


Congratulations to my friend Jessie Lilley. It was announced today that she'll guide the all-new incarnation of FAMOUS MONSTERS as editor.

Jessie has been extraordinarily supportive of my film work over the last ten years, and has the chops to bring Famous Monsters to vibrant life. The first issue published by Philip Kim (number 251) debuts in a couple of months. Expect the mag quarterly.

Here's what the Famous Monster website had to say about Jessie's appointment as editor:

The staff of Famous Monsters of Filmland is pleased to announce the arrival of Jessie Lilley to its ranks as Editor.

As a publisher and editor of small press magazines for over 20 years, Jessie brings an impressive wealth of experience to the pages of FM, and has already had an immediate effect on the production of #251, the relaunch issue scheduled for release in July. “I asked Jessie to write a piece for #251, and over the course of our discussions I think we both slowly realized that she had a lot to offer on the other side of the desk as well,” said FM Editor in Chief Michael Heisler. “We danced around the topic until, ultimately, her first achievement as Editor was to hire herself! Seriously, Jessie has joined us as we’re heading into the home stretch of putting FM #251 together, and we couldn’t be happier to have her aboard.”

You can read more here.

In other FAMOUS MONSTERS news, issue 251 features cover art by the inimitable Richard Corben! Two other covers will be revealed soon, including one by William Stout, and one by Basil Gogos. Famous Monsters of Filmland does indeed live again!

Saturday, March 6, 2010

REDFIELD'S 2010 OSCAR PREDICTIONS


Let's see how we do after Sunday night. Here are my predictions for the 2010 Oscars:

BEST PICTURE
"The Hurt Locker" ("Avatar"...really? I mean seriously now..."Avatar"?)
BEST DIRECTOR
Kathryn Bigelow for "The Hurt Locker"
BEST ACTOR
Jeff Bridges (and he'll make an excellent Rooster Cogburn in "True Grit" next year.
BEST ACTRESS
Sandra Bullock (that's who I think WILL win...Gabourey Sidibe was excellent in "Precious", Carey Mulligan was excellent in "An Education" and Meryl Streep was excellent in "Julie and Julia". If I were voting, I'd vote for Streep.)
BEST SUPPORTING ACTOR
Christolph Waltz. No contest.
BEST SUPPORTING ACTRESS
Mo'nique for "Precious"
BEST ANIMATED FEATURE FILM
"Up"
BEST FOREIGN FILM
"The White Ribbon" (Germany)
BEST ORIGINAL SCREENPLAY
"Inglorius Basterds" (because...well I don't know why, but they'll at least give Tarrantino this.)
BEST ADAPTED SCREENPLAY
"Up In The Air" Jason Reitman, Sheldon Turner
BEST DOCUMENTARY FEATURE
"The Cove"
BEST ORIGINAL SCORE
"Up" will win, but I think it SHOULD go to Hans Zimmer's "Sherlock Holmes"
BEST ORIGINAL SONG
"The Weary Kind" from "Crazy Heart"
BEST FILM EDITING
"The Hurt Locker" (This is tough, because this is where "Avatar" could start cleaning up on awards.)
BEST CINEMATOGRAPHY
"The Hurt Locker" (Again, this could be taken by "Avatar". A toss up.)
BEST COSTUME DESIGN
"The Young Victoria"
BEST ART DIRECTION
"Avatar" is going to take this over equally imaginative and well-executed production designs.
BEST MAKEUP
"Star Trek". (But if "Avatar" takes this, I expect Rick Baker to lodge a formal complaint.)
BEST VISUAL EFFECTS
"Avatar" No contest. ("Avatar" should actually be in the best "Animated Feature category...)
BEST DOCUMENTARY (SHORT)
"China's Unnatural Disaster"
BEST SHORT FILM (ANIMATED)
"A Matter of Loaf and Death" (Can't beat Wallace and Grommit---but "Logorama" is brilliant.)
BEST SHORT FILM (LIVE ACTION)
"Kavi" (A pure guess--sight unseen--on my part.)
BEST SOUND EDITING
"Avatar" (Unless loud and noisy means something, then "Transformers" will win this and sound mixing.)
BEST SOUND MIXING
"Avatar" (see above)

That's it. Let's see how I did tomorrow night.

Friday, February 5, 2010

REDFIELD'S MAKE-UP MORGUE: AS MARK TWAIN


I've played Mark Twain several times in the mid-1990's, culminating in a one-man piece I cobbled together called "Mark Twain: How To Tell A Story". The show was centered around an essay he'd written (of the same title) and incorporated a few other writings. One of the performances was recorded (audio only) and I'm seriously thinking of releasing on CD later in the year, along with other audio books I'm preparing.

The idea of playing Mark Twain came about in an unexpected way. Through the 1990's I was doing a lot of producing for a couple of events companies. Many times a client would want some sort of character to appear as a "greeter" to greet guests as they arrived at a themed event, and often interact with them. I had done a handful of characters over the years, but I had more fun taking a clients (often bizarre) requests, and finding and hiring the right actors to play the parts. In the events business, there are a great roster of actors who play historic or famous people. In the mid-Atlantic area, there were plenty of people to play Bill Clintons, George Bushes, Charlie Chaplins, Ben Franklins and the like.

One day a fellow called Jay Wachter, who runs and operates an events company called Entertainment Consultants, called in a slight panic. He had sold "Mark Twain" to The American Trucking Association as a key-note speaker at one of their annual meetings. Twain was to speak at the opening dinner for 45 minutes on the subject of trucking.

45 minutes. On trucking. The problem?

Wachter didn't have a Mark Twain.

So he called and asked if I would do it.

I had NEVER done Twain before. I didn't have anything handy to do a make-up; didn't own a white cotton summer suit; didn't have a clue what I would say for 45 minutes and if Twain even said anything himself about trucking. Frightening.

I told Jay I'd do it.

After we negotiated my fee (knowing immediately the amount of work that was going to be involved) I went to work on researching what Twain had to say about trucking. He had nothing to say. But, as Twain had a lot to say about a lot of things, I discovered that he had written an very good piece about transportation in general, particularly railroads and steamboats . This could be used with little adaptation. When the speech was finished, it timed perfectly for the needs of the event.

So then, on to the make-up. The wig and the lace mustache were store bought, and not made-to-order, but they worked very well. I used a subtle latex stipple technique to age and roughen the texture of the skin, and to bring the wrinkles out. I knew he'd be seen close-up, and wanted him to be as realistic a s possible. The suit I found in a vintage clothing store; an honest-to-goodness linen summer suit from the 1920's that I own to this day.

After working on the speech and the make-up for a week I was ready to go, and the appearance at the American Trucker's Association was a big hit. After it was over, and because I had put the time into it, "Twain" kept nagging at me and would let me go. What else could I do with him? The result was the longer piece, "Mark Twain: How To Tell A Story".

Wachter has tried to get me to play Twain again at conventions and events over the years, but those days are behind me. I've done my share of "grand-opening Groucho's" and "food fair Franklins".

But I wouldn't mind playing Twain in a film some day...

Thursday, February 4, 2010

FEBRUARY'S FILM: "DR. JEKYLL AND MR. HYDE" (2002)


I've rolled the film of the month over to February because a number of stories I wrote about it got pushed out of January. (I probably should just schedule a post per day as there are so many stories backing up here on the old blog).

So, the February film again is DR. JEKYLL AND MR. HYDE, released on DVD in 2002.

I don't know how long this sale is on, but the cheapest is this offer HERE. The DVD is only $3.99 (for $13.97 you can get the DVD and an 11x14 poster HERE). But maybe the best deal is this boxed set (pictured, left above), where you can get the film and nine other films on DVD for about $9.98 plus shipping. Check it out HERE.

But please don't download the movie for free on-line (it's not legally available as a download anywhere). That would be greatly appreciated!

Wednesday, February 3, 2010

VICTOR BUONO: THE FAT MAN'S PRAYER

The popular and ubiquitous Victor Buono, born February 3, 1938 in San Diego, was everywhere (and everyone!) on TV and in films in the 1960's.

Beginning in theater in California, his first break came when director Robert Aldrich cast him as Edwin Flagg in Whatever Happened to Baby Jane, opposite Bette Davis.

Playing countless heavies and villains on television, Buono is remembered chiefly for two recurring villians; King Tut (on Batman) and Count Manzepi (on The Wild, Wild, West).

In the 1970's, Victor Buono released a few comedy albums, and would recite his poetry on talk shows. One of his fans favorites was

The Fat Man's Prayer
by Victor Buono


Lord, my soul is ripped with riot,
Incited by my wicked diet.
We are what we eat, said a wise old man,
And Lord, if that's true, I'm a garbage can!
I want to rise on Judgment Day, that's plain,
But at my present weight, I'll need a crane!

So grant me strength that I may not fall
Into the clutches of cholesterol.
May my flesh with carrot curls be sated
That my soul may be polyunsaturated.
And show me the light that I may bear witness
To the President's Council on Physical Fitness.

At oleomargarine I'll never mutter,
For the road to hell is spread with butter.
And cake is cursed, and cream is awful,
And Satan is hiding in every waffle.
Mephistopheles lurks in provolone,
The devil is in each slice of bologna,
Beelzebub is a chocolate drop,
And Lucifer is a lollipop!

Give me this day my daily slice -
But cut it thin and toast it twice.
I beg upon my dimpled knees,
Deliver me from Jujubees.
And my when days of trial are done
And my war with malted milks is won,
Let me stand with the saints in heaven
In a shining robe - Size 37!

I can do it, Lord, if you'll show to me
The virtues of lettuce and celery.
If you'll teach me the evils of mayonnaise,
The sinfulness of hollandaise
And pasta a la milanese
And potatoes a la lyonaise
And crisp fried chicken from the south!
Lord, if you love me, SHUT MY MOUTH!



L.